“The shot that got away” – why, as primarily a writer, I now truly respect a photojournalist’s job

Posted by Brian Manzullo at July 9, 2009

Photography

Photography always has been an essential part of a newspaper. The main photo on a front page usually is the first thing you see when you pass a news stand. Photos give pages personality. They accent the reporting.

But in working in newsrooms the last four years or so, I’ve learned that many times, the photo staff at a newspaper is misunderstood, particularly by writers and editors. Sometimes, people on the writing side of things think they know what makes a good photo to complement their stories when, in fact, they do not have a clue. They also tend to think being a photographer is easy. That anybody could do it. Even them.

    Out of the way!: The frame I caught from Georgia running back Knowshon Moreno's hurdle.

Out of the way!: The frame I caught from Georgia running back Knowshon Moreno's hurdle.

I would like to say I never fell into that category of people. But I never truly understood the challenges of being a photographer until I bought my digital SLR camera and started using it. The biggest difference between writing a story of an event and shooting an event is this: You are given ample time to “capture a moment” with your writing once you witness it. You can rewind a particular situation in your brain and try to put it down in words. As a photographer, you have only one chance to capture that moment. You have be in the right spot. You have to anticipate it. You have to be one step ahead. And when that moment passes, it’s done. If you snapped the photo a second too late, someone got in your way, or your camera’ focus is off your subject, too bad. It’s gone.

Exhibit No. 1: My trip to the University of Georgia to cover the CMU football team’s game there last September. I spent two quarters (1st and 3rd) at my computer in the press box, gathering statistics for my story and writing blog entries. I spent the other two on the field. I bought my 70-200mm lens just a day before so I could use it during the game.

While I’d like to think I got some decent photos for being one month into my photography experience, there was one moment that truly got away from me. Late in the third quarter, Georgia running back Knowshon Moreno was busting a large first-down run when, suddenly, he hurdled CMU defensive back Vince Agnew. This was a photo opportunity begging for dominant play. It perfecty captured the 56-17 blowout win for Georgia. Luckily for me, I was shooting on that play, on the sideline. Unluckily for me, somebody was in the way (see the first picture).

Immediately after the play happened, I opened my viewer on my camera and went through my last take, hoping I caught it. No dice. The second picture (down a little, to the left) was the frame I caught immediately after the first. That photo wasn’t in focus, either, but notice the excitement in the background. I like the photo in that sense, and still show it to people, but it’s basically a reminder that I missed “the shot.”

Oops: Moreno getting tackled after the hurdle. Notice the excitement in the background.

Oops: Moreno getting tackled after the hurdle. Notice the excitement in the background.

The worst part was I spent a good portion of the game, at least when it was on the north side of the field, behind the end zone with many of the other photographers. Had I been there during this play, I probably would have caught the moment uninterrupted. Defensive back Taylor Bradley (#5 in the first photo) would not have been in the way. One of those end zone shots ran dominant in Monday’s Central Michigan Life, from a photographer for Georgia’s campus newspaper, The Red & Black. Although one of my shots (included in today’s portfolio update) ran secondary, I was not happy at all with missing the hurdle.

These are lessons you quickly learn when you are a writer trying out photography. As a writer, I had plenty of time to put Moreno’s hurdle into perspective and detail for Saturday’s recap story and Monday’s perspective piece, despite not seeing the entire play in person. As a photographer, I wasn’t in the right spot. I missed the moment and that was it. No rewinds. No second chances. I blew it.

Moments like those were humbling. While the writing aspect of journalism still is a challenge, and sometimes a more competitive one, there are many times where photojournalists have a much more difficult job. I can only imagine the extreme amount of pressure they are under during the 4th quarter of a Super Bowl. Or the 9th inning in Game 7 of the World Series. Could you imagine missing that one shot that defined the game?

If you are a writer/editor in a newsroom, take this lesson for what it’s worth. And do not just assume you know what makes for the perfect photo for a story. Respect photojournalists enough for them to capture it themselves. Their job, while often overlooked in the journalism industry, is just as important as yours. And it is quite a challenge of its own.

Be sure to check the latest update: I added photos from that CMU/Georgia game. One of my first real shoots as a novice photographer.

PORTFOLIO UPDATE
+6 Photo

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  • Bilhá Calderón
    Sports is one of the toughest, meanest and most competitive fields in photography because it requieres very high technical preparation to do it right. Being able to create an accurate composition with many people moving is difficult, and to "capture the moment" while woriking out the technical challenges is even harder.

    My suggestion would be:

    1) to study (or see) a lot of sport photography. You can get the right shot alright, but if there's nothing interesting about your photo because it's been done many times before... you're screwed
    2) Be prepared for the decisive moment. Not everything is worthy of photographing, you should have something in mind already that will make you recogniza during the game that you're approaching your decisive moment.
    3) Socialize. Being kind always pays off, specially among photographers. If you ever need an extra lens you wanna know some dudes on the field. Other -more experienced- photographers give you he information about what has happened and what will. It doesn't matter if you're a newby... socialize

    In México photojournalists are called La Raza Maldita :) which kind of gives you a hint of how hard it is to get by.

    Photographers understand events visually, so you have to educate your mind into thinking like that in order to be able to deliver a good press photo.

    Keep up the good work and good luck

    Regards
    B
  • You pretty much hit the nail on the head. Don't consider this as a photo that you "blew" but consider good practice. It takes lots of practice and sharp shooting to get really good images. I'm not a sports shooter, but make sure you have a fast lens (less than F/3.0). Since you're into sports, I'll give you a nice quote to remember that was first said by a football coach, but it also applies to photography -


    Good luck! ~Breanna

    Luck happens when opportunity meets preparation.
    - V. Lombardi
  • Brian Manzullo
    Thanks for commenting!

    As of right now, I do consider it a learning experience. Whenever you're trying something new, you experience missteps and hurdles like that. That was just my thought at the time - that I didn't get it right. And yes, the 70-200mm lens I use is a f/2.8. It works real well shooting sports, my hope is to get better at it. Thank you again for the feedback!
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